OrganArt Media 出品的 1925 年 G.F. Steinmeyer 管风琴 op.1400 Hauptwerk 虚拟音色库，是目前全球极为罕见、完整保留的后浪漫主义大型管风琴数字复刻之一。这台拥有 71 个音栓的 Steinmeyer 管风琴建于 1925 年，由柏林著名音乐会管风琴家 Otto Dunkelberg 参与设计，被视为当年“世界最大教堂管风琴”——帕绍大教堂管风琴的前身与缩影。该乐器不仅奇迹般躲过了二战的破坏，也未在新巴洛克改造浪潮中被重制，完整保留了阿尔萨斯管风琴改革风格与 Steinmeyer 晚期后浪漫主义的声音特征，在管风琴历史中具有极高研究与演奏价值。
这套 Hauptwerk 音色库于 2019 年在混响时间长达 6 秒的 Ss. Corpus Christi 教堂中录制，采用 48kHz / 24bit 高规格采样，并使用 OrganArt 标志性的多重释放技术，精细还原短、中、长触键下的真实响应与空间变化。所有音栓均完整录制了原始震音效果，使其在演奏德国、法国、英美 19 世纪至现代管风琴作品时，都能呈现出宏大、厚重且富有层次的声音表现。无论是专业管风琴演奏者、教堂音乐工作者，还是从事电影配乐、历史音乐研究的用户，这套 Steinmeyer Hauptwerk 管风琴音色库都堪称一件不可多得的顶级虚拟乐器资源。
OrganArt Media 1925 G.F. Steinmeyer Organ op. 1400 Hauptwerk-ARCADiA
Team ARCADiA | Hauptwerk | 24.16 GB
The completely original surviving large 71-stop Steinmeyer post-romantic organ, op. 1400, built in 1925, is a worldwide unique instrument of this organ builder and this era.
It was designed by the Berlin concert organist Otto Dunkelberg, who later worked as an organist of the giant organ of the Passau cathedral, and and is considered the smaller sister and predecessor of what was then the world’s largest church organ.
The organ, which survived WWII as one of the few Berlin instruments and the demolition or modification in the course of the neo-baroque phase, shows features of the Alsatian organ reform according to Rupp-Schweitzer and also, due to Steinmeyer’s American contacts, has characteristics of these instruments, such as larger manual and pedal sizes, extensive sub- and supe- octave couplers, string choirs, etc.
The disposition allows the interpretation of German, French and Anglo-American music from the 19th century to modern, as well as older music in the taste of the early 20th century.
Until a few years ago, becoming almost unplayable due to wear and church climate influences, it was extensively restored during three years of work and was inaugurated again in 2018. One of the few surviving large Steinmeyer organs from this era has risen again.
Alongside the lost Passau cathedral organ, this instrument can certainly be described as the absolute highlight of Steinmeyer’s late / post-romantic Opus.
The Ss. Corpus Christi Church has a reverberation time up to 6 s.
Recording technique
The instrument was recorded in October 2019 with 48 kHz, 24 bit, using the multi-release technique introduced by OrganArt.
The stops were recorded with multiple releases for short, medium and long key attacks for optimal acoustical mapping.
All ranks were additionally recorded with the original tremulant sound.
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