《MIRRORS》是由知名音源厂牌 Orchestral Tools 联合 SLATE + ASH 打造的一款融合模拟合成与管弦录音的全新音源作品。这款音源以“镜像”为灵感，将由模拟合成器生成的声音，交由伦敦当代交响乐团在柏林 Teldex 录音棚进行重新配器与实录，实现电子与交响的有机融合。音色包括微噪、颤动、氛围、延展性 Pad 以及各种长音与细腻纹理，为电影配乐、现代编曲、实验性电子音乐提供全新表达空间。
音源内含 45 组合成与交响声音对照素材，共 232 组 Kontakt 快照和 97 个设计预设，搭载专属引擎与三轨麦克风混音位置，并提供出色的麦克风“泄露”控制。无论是构建氛围、叙述情绪，还是作为声音设计的基底，《MIRRORS》都能带来极具创意与空间感的表现力。推荐给影视配乐人、氛围制作人与实验性作曲家收藏使用。
Orchestral Tools x SLATE and ASH MIRRORS KONTAKT
KONTAKT – 20,45 GB
Electroacoustic reflections
Exploring the concept of sonic reflections and refractions, MIRRORS is the harmonious marriage of analog synthesis and acoustic orchestral performance. A collaboration with celebrated instrument creators SLATE + ASH, MIRRORS sends synthesized source material through an aural looking glass of orchestral ensembles, unearthing the symmetries of electroacoustic expression.
Synthesis meets orchestral grandeur
MIRRORS explores both experimental analog synthesis and traditional orchestral sampling. The collection originated from synthesized source material from our Bristol-based collaborators—glitched textures, fractured oscillations, and hyper-processed ambiances. Together, we then put these sounds through a prism of orchestral performance, recording their precisely orchestrated mirror images, all with unwavering attention to the minutest details.
As an object approaches a mirror, it becomes harder to tell where it ends and its reflection begins. Likewise in MIRRORS, synthesized sounds give way seamlessly to orchestral performances, resulting in a set of tools tailor-made for sparking your creativity, creating atmospheres, or setting scenes.
Sounds made to be reorchestrated
SLATE + ASH created the source material for MIRRORS under the guiding principle of making sounds that evoke a distinctly acoustic feel. With their labyrinth of patch cables, modular devices, and analog synths, they tapped into more organic soundworlds, sculpting breath-like fluttering, microtonal harmonics, and warm tones that evolve over time.
Hugh Brunt of the London Contemporary Orchestra then re-orchestrated these sounds for live performance, capturing all the minutae—every texture, swell, and flutter, and even the synthetic idiosyncracy of pitch stretching. This called for traditional strings, brass, and woodwinds, but also out-of-the-box instrumentation like verrophone, bowed crotales, or even rustling plastic bags. With Brunt conducting, and additional aesthetic guidance of composer-producer Yair Elazar Glotman, we recorded the orchestral ensembles at Teldex Studios in Berlin with our typical attention to detail and fidelity.
Recorded at Teldex
In addition to recording the orchestral ensembles for MIRRORS at the storied Teldex Scoring Stage in Berlin, we amplified the source material on the scoring stage, recording it from the same microphone perspectives. This means, not only are the images and reflections in MIRRORS remarkably cohesive, they are also easy to blend with other Orchestral Tools collections.
Highlights
– 45 pairs of synth and orchestral sounds
– Bespoke engine and interface
– 97 sound design presets, 232 Kontakt snapshots
– Evolving pads, long notes, and textures
– Three mixable mic positions with bleed control
– Source synth material made by SLATE + ASH
– Orchestral ensembles and synthesized source material sampled in Teldex
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