Slate and Ash RUINS 是一款极具先锋精神的 KONTAKT 音色库，它将电吉他彻底解构为“原始声音物质”，围绕崩塌、空间、质感与残响展开深度声音探索。该库由知名制作人 Randall Dunn 在 Circular Ruin Studios 统筹制作，联合六位实验吉他领域的标志性人物共同完成，包括 Stephen O’Malley、Oren Ambarchi、David Torn 等。RUINS 并不追求传统旋律演奏，而是将吉他视为一种声音接口，通过磁带循环式播放、异步分层、失真与反馈处理，创造出不断变化、极不稳定却极具情绪张力的音景，非常适合电影配乐、实验电子、暗氛围、工业与艺术声音设计。
在声音结构上，RUINS 提供了极其丰富的空间与音色维度，从直录 DI、电子管音箱、老化弹簧混响，到在柏林传奇 Funkhaus 空间中重放录制的巨大残响，每一层都强调“空间即声音”的概念。内置超过 250 个精心设计的预设，覆盖地下低频音场、破碎数字涂抹、缠绕谐波与机械噪声等多种方向，既适合快速获得灵感，也适合深度声音雕刻。同时，所有原始吉他素材还以高质量 WAV 形式提供，方便在任意 DAW 或采样器中二次创作。对于追求独特声音语言、希望突破传统吉他与合成器边界的华人作曲家与声音设计师而言，RUINS 是一款极具辨识度和长期价值的实验级声音工具。
Slate and Ash RUINS KONTAKT
KONTAKT – 20,34 GB
RUINS is a sonic excavation that transforms the electric guitar into a study of collapse, texture, and spatial memory. Featuring exclusive performances from six luminaries of the experimental guitar scene, it dissolves the guitar into unstable currents of raw signal and shimmering harmony.
GUITAR MONOLITHS
Recorded and curated by producer Randall Dunn at Circular Ruin Studios, RUINS deconstructs guitar textures into raw sonic material.
Built from the exclusive recordings of six experimental guitarists—Stephen O’Malley, Oren Ambarchi, David Torn, Bill Horist, Ben Greenberg, and Arjan Miranda—the instrument’s engine disintegrates the source material via tape-loop-inspired playback, textural layering, and transformative effects processing.
SPACE, PERFORMANCE, SATURATION
The RUINS sessions were a series of controlled experiments, designed to explore the relationship between space, performance, and saturation.
To provide deep tonal versatility, RUINS offers multiple mic perspectives, including a pristinely captured DI, an array of tube powered amplifiers, an eroded stereo spring reverb, and a cavernous re-amped signal recorded in Berlin’s iconic Funkhaus sound chamber. The built-in convolution engine expands this palette further, complete with a curated library of custom impulse responses leaning toward experimental sound design.
VOICES OF EXPLORATION
Each of RUINS’ six experimental guitarists was chosen for their ability to push the guitar outside traditional musical roles—treating it less as an instrument and more as an interface for texture, gesture, and sonic ritual.
Each artist was given freehand to submit fragments: loops, textures, resonances, and mechanical failures. Their work is unified by a focus on texture, feedback, and raw materiality, forming the basis of an instrument designed to create new timbral languages that explore the outer edges of guitar performance.
GUITAR AS RAW MATTER
For immediate exploration, RUINS includes over 250 thoughtfully designed presets, spanning from subterranean soundfields and digital smears, to collaged rattles and tangled harmonics.
Each serves as a creative foundation that showcases the instrument’s sound design potential. The multi-sample engine layers guitar phrases into rich, shifting harmonies, while asynchronous looping adds instability and life. The single-sample engine reimagines details—like string scratches or amp hum—into new rhythmic or tonal elements. All raw material is also provided as high-quality WAVs for use in any sampler or DAW.
ARCHITECT OF EROSION
With 30 years of experience working with guitar, Randall Dunn is known for his ability to cohere complex or heavy material for artists such as Sunn O))), Earth, and the late Jóhann Jóhannsson.
His work is marked by a performance-focused approach, aiming to capture an artist’s core sound without blunting its emotional impact. As the producer, curator and engineer for RUINS, Randall was responsible for capturing the raw interplay of space, performance, and saturation that defines the instrument’s sonic character.
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