Strezov Sampling String Contours 2 是一款专为影视配乐打造的现代弦乐音源库，支持 KONTAKT，容量约 31GB。该库主打 Polybend Legato、Temposynced Bends 以及 Slow Detache 等创新演奏技术，可实现节奏同步滑音、动态连奏与多声部对位 Portamento 表现，极大提升电影、剧集、游戏配乐中的情绪张力与动态流动感。支持 Violin、Viola、Cello、Double Bass、Solo 及 Full Ensemble 等完整编制。
音源采用非堆叠录音方式，强调真实透明的现场弦乐质感，并支持节拍自动同步与拍号适配，减少繁琐 MIDI 编程。内含 Espressivos、Inverted Contours、Extended Techniques 等多种现代演奏技法，非常适合搜索关键词如：影视弦乐音源下载、Kontakt弦乐库、电影配乐弦乐连奏音源、Polybend Legato弦乐库，是专业作曲人打造高动态电影弦乐的核心工具。
Strezov Sampling String Contours 2 KONTAKT
KONTAKT – 31,45 GB
WHAT IS NEW IN STRING CONTOURS 2
The library contains a selection of the most elusive contemporary string sounds, only before heard in live recorded scores. Like Polybend Legato, Temposynced Bends and slow connected Detaches. These are not your typical one shot performances, but highly playable and adaptable patches that allow you to blend these techniques into your compositions seamlessly and write completely original arrangements using these playing techniques.
WHAT STAYS THE SAME
– Perform expressive phrases while freely changing notes. The original dynamic flow and natural vibrato progression adapt and are preserved – without intensive MIDI CC programming.
– Our non layered approach captures the transparency of a real recorded performance. No artificial “stacked” ensemble sound— a three-note chord with a cello sounds like three celli performing together.
– Different tempi require different performance styles, which are automatically selected by each patch
– Time Signature Support – The sample pool gets adjusted by the Time Signature in your sequencer
TEMPOSYNCED BENDS AND POLYBEND LEGATO
Our industry-first temposynched bends and polybend legato in multiple speeds allow you to perform seamless expressive lines that sync to your sequencer, as well as polyphonic contrapuntal portamento with moving inner lines, in real time. No more artificial pitch bending. We recorded all intervals upward and downward within an octave in sections, and within a fifth in solos.
TEMPOSYNCED SLOW DETACHE
Temposynced Slow Detache with 6 different rhythms, covering 2 separate styles of expression, a softer more tucked in performance and a second, more broad, connected and expressive style. The patches automatically sync to your project tempo and allow you to program flowing patterns, designed to flow between the inputted notes and between the recorded patterns and expressive styles. They work best at slower tempos around 80 BPM.
INVERTED CONTOURS AND ESPRESSIVOS
Highly requested by users of the original String Contours, these new bowings bring heightened dynamic impact to the concept. The Inverted Contours reverse the dynamic shape of the classic patches starting with a fortepiano attack that swells into a dramatic crescendo.
The Espressivos are captured in three distinct tempi and four dynamic shapes, consistent with the approach in String Contours 1, but with a more intense, expressive character.
TRANSPARENT AND NATURAL RECORDINGS
The recordings were done using only handpicked musicians best fit for the required aesthetic in tone and vibrato, as well as custom microphone arrays summed down to 3 different mic positions and a fully produced out of the box mixed signal. The hall is of ambient medium size to get a cinematic sound, but still retain as much details as possible.
INSTRUMENTS
Violin Section
Viola Section
Cello Section
Double Bass Section
Solo Violin
Solo Cello
Full Ensemble
BOWINGS
Espressivos
1–1: One bar crescendo, one bar decrescendo
2–2: Two bars crescendo, two bars decrescendo
1–2: One bar crescendo, two bars decrescendo
2–1: Two bars crescendo, one bar decrescendo
Temposynced Slow Detache
6 Rhythms × 2 Dynamics
Rhythms:
Half Note
Quarter Note
Eighth Note
Quarter Note Triplet
Eighth Note Triplet
Dotted Quarter + Eighth Note
Extended Techniques & Textures
Overpressure
Inverted Tremolo – Fortepiano into a dramatic swell
Inverted Normale – Fortepiano into a dramatic swell
Polybend Legato – Fast (Glissando/Portamento) *
Polybend Legato – Slow (Glissando/Portamento) *
Temposynced Bends *
* All intervals upward and downward within an octave in sections, and within a fifth in solos
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